10/2/2023 0 Comments New scary movies on netflix![]() The Bronx is one of those modern horror movies with such a simple, clever twist on a well-worn genre you wonder how it didn’t happen sooner. And, because it's Flanagan we're talking about here, there's also a potent dramatic heart beating underneath all those bumps in the night. ![]() There is, to be very clear, absolutely no reason for Ouija: Origin of Evil to be good at all, so it's a downright shock that it's this horrifying and effective. Doris, the youngest, spices up the act with the introduction of a ouija board, but the cursed item makes things all too real when it not only sends a dark spirit into the girl's body but exposes the deep-seated evil ingrained in the Zander's house. Ouija: Origin of Evil takes us to the 1970s, where fake psychic Alice Zander ( Elizabeth Reaser) and her two daughters, Lina ( Annalise Basso) and Doris ( Lulu Wilson), perform seances for paying customers in the wake of Alice's husband dying. Mike Flanagan had already built a reputation as a rock-steady horror filmmaker by 2016, but the sense of "holy crap, this guy can do anything" became set in stone once he took on a prequel to a critically-derided movie about an evil ouija board and made one of the scariest movies of the last decade. Choose or Die is honestly a lot of fun and a great casual watch for horror buffs and novices alike! - Brynna Arens Its short 84-minute runtime is an asset, not a hindrance, allowing the movie to dive straight into the horror without unnecessary fluff dragging it down. Choose or Die feels both nostalgic and fresh, paying homage to classic video games while delivering a narrative that hasn’t been done to death. But as they learn of the malevolent forces that went into the game’s conception, they realize that winning and staying alive may not be as easy as they think. Forced to continue playing, Kayla and her friend Isaac ( Asa Butterfield) try to find a way to stop the game for good - it is just code after all. It has the ability to warp reality and force Kayla to make deadly decisions that affect people in real life. However, the game is more than just a simple choose-your-own-adventure meets horror campaign. Meantime, some of our recent coverage of these Netflix titles is also available to check out below.When Kayla ( Iola Evans) discovers an old ‘80s computer game that comes with a yet-to-be-claimed $100,000 cash prize for anyone who beats it, her curiosity and family’s need for money drive her to give the game a try. Head to Netflix’s Horror page to get a curated selection of all the platform’s current titles in this category, like The Wasteland. At least, for some people.Īt a minimum, this might help explain why Netflix keeps teeing up so much fresh content in this genre. That the more kind of mental and emotional calisthenics you put yourself through, the more it toughens up your psyche. Whether over-indexing on horror genre content can promote something like mental resilience. I have no idea if the theory noted above is true. “Even when The Wasteland gets a little dry, there is still the respite of a full-bodied performance.”Īsier Flores as Diego, and Inma Cuesta as Lucia in Netflix’s “The Wasteland.” Image source: Lander Larranaga/Netflix “All three performers give robust performances that demand a lot of reverence to the story’s self-seriousness,” reads a review. But a beast is somewhere outside, in the shadows, looming over them. They’re now in a home that’s a bit isolated. The same way many families are either quarantined or hunkering down at home right now? In this movie, we have a father, mother, and young son who’ve escaped violence in 19th century Spain. Like a lot of the art coming out right now, it’s also hard not to see metaphorical connections to the Covid crisis here. ![]() “The tranquility of a family that lives isolated from society is suddenly disturbed by a horrific creature that would put the bounds that (tie) them to test.” Netflix’s description of the plot is equally minimalist. It was shot during the global health crisis and uses a bare-bones cast of just three. Released just last week, this 92-minute Spanish-language feature film is very much a product of the Covid pandemic. Can little Diego save his mother from the beast – and herself – before it’s too late?” /uYr4Ar3PMt Plot: “A 19th century family living in seclusion is visited by an evil being that feeds on fear.
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